Ken Wydro: A Tribute to a Visionary in Theater and Community
Introduction: The Life and Legacy of Ken Wydro
Ken Wydro was a pivotal figure in the world of theater, best known for his groundbreaking work as a playwright, director, and producer. His most notable contribution was the Off-Broadway gospel musical "Mama, I Want to Sing," a testament to the power of music and community. This musical, co-created with his wife Vy Higginsen, not only showcased the story of Higginsen’s sister Doris Troy but also became a cornerstone in Black theater history, running for an impressive 2,800 performances. Ken’s passion and dedication left an indelible mark on the theatrical world, as he passed away at 81, leaving behind a legacy of art and inspiration.
The Creation of the Musical: A Family Affair
"Mama, I Want to Sing" was more than just a musical; it was a family endeavor that stemmed from a deep personal connection. Inspired by Doris Troy’s journey from a Harlem church choir to international stardom, the musical tells the story of a minister’s daughter who rises to fame as a soul singer. Ken and Vy Higginsen poured their hearts and resources into the project, facing initial rejections but never losing faith. The musical was a true labor of love, with Ken directing and co-producing, while Vy provided narration. Doris Troy herself graced the stage, and their daughter later took on the lead role, making it a multigenerational masterpiece that resonated deeply with its audience.
Challenges and Production: Overcoming Obstacles
The journey to bringing "Mama, I Want to Sing" to the stage was fraught with challenges. Despite facing numerous rejections from major producers who doubted the appeal of a gospel-heavy musical, Ken and Vy remained undeterred. With a modest budget of $20,000, they opted for a grassroots approach, relying on community support and word-of-mouth. This strategy proved fruitful as the musical found its home in East Harlem’s August Heckscher Theater in 1983. The community’s embrace was palpable, turning the production into a cultural phenomenon that exceeded expectations and silenced skeptics.
Community Impact: A Cultural Phenomenon
The musical’s impact extended far beyond the stage, becoming a cultural touchstone that united diverse audiences. It was a symbol of hope and resilience, drawing crowds from across the country and internationally. Ken’s vision to create a space where Black stories were celebrated was realized through the musical’s success, which became the longest-running Black show in Off-Broadway history. The community’s engagement was electric, with audiences singing along to gospel standards and leaving theaters filled with joy and inspiration.
Background and Legacy: A Life of Artistry and Advocacy
Ken Wydro’s journey was one of diverse pursuits and passions. From his early days as a public speaking seminar leader to his foray into theater, he explored various creative avenues. He earned degrees in physiology and theater, eventually writing books and plays, including "Secrets: The Untold Story of Sigmund Freud and Carl Jung." His commitment to the arts extended beyond the stage through the Mama Foundation for the Arts, which he co-founded with Vy to support musicians in traditionally Black genres. His legacy is a testament to his dedication to art and community.
Conclusion: Enduring Contributions
Ken Wydro’s contributions to theater and community remain timeless. "Mama, I Want to Sing" continues to inspire, with revivals and adaptations keeping its spirit alive. His perseverance in the face of adversity and his ability to bridge gaps through art left a lasting impact. As a visionary, Ken’s work stands as a celebration of community, culture, and the enduring power of storytelling. His legacy reminds us of the transformative power of theater and the importance of preserving cultural narratives.
